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| Steinem with Hillary Clinton at a Girls Learn International event in 2006. Photograph: Jemal Countess/WireImage for Glamour Magazine via the Guardian. |
I know Hillary Clinton mostly in the way we all do, as a public figure in good times and bad, one who became part of our lives and even our dreams. I once introduced her to a thousand women in a hotel ballroom. Standing behind her as she spoke, I could see the binder on the lectern with her speech carefully laid out – and also that she wasn’t reading from it. Instead, she was responding to people who had spoken before her, addressing activists and leaders she saw in the audience, and putting their work in a national and global context – all in such clear and graceful sentences that no one would have guessed she hadn’t written them in advance. It was an on-the-spot tour de force, perhaps the best I’ve ever heard.
But what clinched it for me was listening to her speak after a performance of Eve Ensler’s play Necessary Targets, based on interviews with women in one of the camps set up to treat women who had endured unspeakable suffering, humiliation, and torture in the ethnic wars within the former Yugoslavia. To speak to an audience that had just heard these heartbreaking horrors seemed impossible for anyone, and Hillary had the added burden of representing the Clinton administration, which had been criticised for slowness in stopping this genocide. Nonetheless, she rose in the silence, with no possibility of preparing, and began to speak quietly – about suffering, about the importance of serving as witnesses to suffering. Most crucial of all, she admitted this country’s slowness in intervening. By the time she sat down, she had brought the audience together and given us all a shared meeting place: the simple truth.
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